COURSE UNIT TITLE

: INTRODUCTION TO FILM DESIGN I

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
FTB 1103 INTRODUCTION TO FILM DESIGN I COMPULSORY 1 2 0 4

Offered By

Department of Film Design

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSOCIATE PROFESSOR RAGIP TARANÇ

Offered to

Film Design and Directing
Sound Editing and Cinematography
Film Design and Screenwriting
Film Design and Directing
Animation Film Design and Directing
Cinema and Television
Cartoon Film and Animation
Film Design and Screenwriting

Course Objective

To get students to comprehend the mission of the film formation process and the problems of design. Film directors, cinematographers, screenwriters and film animation and visual effects designers in the process of creation and analyzing the key points of the design, the student will develop itself in line with their observations.Students can learn in basic samples of vocational and practical information.Insfracture and knowledge to prepare for lessons in the future business life.

Learning Outcomes of the Course Unit

1   One-student, master of cinema directors understand design processes
2   Student theater and other fine arts learning, recognize that a culture of cinema.
3   Student photo-roman and video clips showing and discussion of the relations practices learned in the course.
4   The problem of writing in the context of four-student visual history of dramatic structure and learn to understand the characteristics and examples of documentary film.
5   Examples of contemporary cinema's narrative methods in the context of five-Students learn to analyze and study.
6   Clutch six-reflective practice film details the design process
7   technically equipped to follow technological developments,
8   The course is expected to carry out individual projects in the creative.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Explore the idea of cinema
2 Mutual relations between the society and the culture and the art of film
3 The ancient times seven of art, history, poetry, comedy, tragedy, music, dance and the art of astronomy and reflections on contemporary film
4 Mythology and theater realitve with Angeloplous's film design examples. Mythology an important role in the Angeloplous s cinema.perception of the mythology, history, mythology and poetry in everyday life, opening places of people's daily lives. "Proposition will be discussed this cinema.
5 Visual History Writing problematic Fellini, Bertoluci, Tavianni Brothers, Visconti, Angelopoulos analysis of sample films.
6 Contributions to the design of novel and short story in the context of relationships intertextuality with film.
7 The drama relation with cinema.The mis en scene in movie, player management, burlesque, grotesque, dramatic action and plot. Fellini, Angeloplous etc.
8 Dance, opera, film design reflections.Kanlı Wedding, Salome, Pina, Meeting on Venus.
9 The background music is the use of music in the film, and design examples, case by music, music that information, generic music, silent as the use of music, vocal music and oral. Examples of original music for the film
10 Frued design images and movie examples of Hitchcock's Psycho, Bunuel, La chine Andalusian ,Buñuel Y La Mesa Del Rey Salomón ,"The Ninth Gate"
11 Film Design of the use of the art of painting, composition, light, color, perspective concepts.
12 Photography and film design
13 The use of enstelatıon and sculupture art and environmental art design and the use of the image spacein cinema.Visualization of the story Literary Boccocio 70, Fellini's part of the analysis
14 Photoroman Paper and visas.

Recomended or Required Reading

Rea/David Irving-Es Yayınları/Sinemada ve Televizyonda Anlatım Teknikleri ve Dramaturji-Bob Foss-Hayalbaz Yayınları/Senaryo Yazımı William Miller-Hayalbaz Yayınları/Öykü ve Söylem-Seymour Chatman-de ki-sinema /Resim Neyi Anlatır-Durmuş Akbulut-Etik Yayınları/ John Berger Anlatmanın Başka Bir Biçimi Jean Mohr-Agora Kitaplığı/Görme Biçimleri-John Berger-Metis Yayınları/Sanat Tasarım ve Görsel Kültür-Malcolm Barnard-Ütopya Sanat Dizisi-Bir Film Nasıl Okunur -James Monoca-Oğlak Yayınları.





Planned Learning Activities and Teaching Methods

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 ASG ASSIGNMENT
3 ATT ATTENDANCE
4 FIN FINAL EXAM
5 FCG FINAL COURSE GRADE MTE * 0.30 + ASG * 0.20 + ATT * 0.10 + FIN * 0.40
6 RST RESIT
7 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.30 + ASG * 0.20 + ATT * 0.10 + RST * 0.40


*** Resit Exam is Not Administered in Institutions Where Resit is not Applicable.

Further Notes About Assessment Methods

Tried to understand, and to teach the course synthesized samples
preparing the mid-power project in visual and auditory fotoroman
evaluated at the present point

Assessment Criteria

Attendance is 80%. Directors and films of said sample lesson plan must be followed before the course.
Cinema is a collective team effort that is working. Term assignments team building, team management and the ability to get the job done in the spirit of the projects as a person over 50 is considered .

Language of Instruction

Turkish

Course Policies and Rules

It is essential that course participation. ..

Contact Details for the Lecturer(s)

To be announced.

Office Hours

To be announced.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 14 3 42
Preparations before/after weekly lectures 14 1 14
Preparation for midterm exam 5 2 10
Preparation for final exam 8 3 24
Design Project 5 3 15
Final 1 3 3
Midterm 1 3 3
TOTAL WORKLOAD (hours) 111

Contribution of Learning Outcomes to Programme Outcomes

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