COURSE UNIT TITLE

: DRAWING II

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
HYK 2004 DRAWING II COMPULSORY 2 2 0 4

Offered By

Department of Sculpture

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

PROFESSOR SEVGI AVCI

Offered to

Graphic
Cinema and Television
Textile
Sculpture

Course Objective

The aim of this course is to teach how to perceive the whole whrough basic elements of drawing, to improve the ability to express what is visible to the eye and the ability to express through various ways.

Learning Outcomes of the Course Unit

1   To put into practice the drawing techniques of charcoal drawing (fusain) and indian ink,
2   To investigate the possibilies of expression through line-based and blot-based drawing elements,
3   To be able to use the drawing elements light and shadow to express what he/she sees,
4   To be able to form with indian ink and charcoal(fusain) through observation-based practice from live-model,
5   To apply the tenets of drawing to the techniques of indian ink and charcoal (fusain).

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Definitions of the Shadow-based/Line based concepts and study of drawing examples Expression through verbal and visual presentation
2 Varieties of drawing; Study of the shadow-drawing examples Expression through visual presentation, Practical/experimental study, assesments and follow-up of the works
3 Shadow-based drawing techniques; study of indian ink technique through examples Expression through visual presentation, Practical/experimental study, assesments and follow-up of the works
4 Blot-based methods of forming (Indian ink) Verbal expression, Practical/experimental study, assesments and follow-up of the works
5 Blot-based exercises of forming (Indian ink) Practical/experimental study, assesments and follow-up of the works
6 Blot-based exercises of forming (Indian ink and white gouache) Practical/experimental study, assesments and follow-up of the works
7 Shadow-based drawing techniques; study of charcoal(fusain) technique through examples Expression through verbal and visual presentation
8 Line-based and shadow-based drawing sketches (fusain) Assesments and follow-up of the works
9 Line-based and shadow-based drawing sketches (fusain) Assesments and follow-up of the works
10 Line-based and shadow-based drawing etudes(fusain) Assesments and follow-up of the works
11 Researching the light-shadow effect (fusain and chalk) Practical/experimental study, assesments and follow-up of the works
12 Researching volume through(Pencil-drawing) Practical/experimental study, assesments and follow-up of the works
13 Researching volume through(Pencil-drawing) Practical/experimental study, assesments and follow-up of the works
14 Researching volume through(Pencil-drawing) Practical/experimental study, assesments and follow-up of the works

Recomended or Required Reading

1- Gottfried BAMMES, Studien zur Gestalt des Menschen , E.A SEEMANN, Leipzig-2001
2- Gottfried BOMMES, Der Nackte Mensch, Veb Verlag Der Kunst, Dresden
Additional Sources: Rönesans- Barok (14.-17. yy)
3- Michael JAFFE, The Great Heritage-Renaissance and Baroque Drawings from Chatsworth ,
National Gallery of Art, Board of Trustees, Washington -1995
4- Hugo CHAPMAN, Michelangelo Drawings: Closer to the Master , The Trustees of the British
Museum, London-2005
5- Frank ZÖLLNER, Leonardo da VINCI 1452-1519: The Complete Paintings and Drawing , Taschen,
London- 2003
6- Editor: Klaus Albrecht SCHRÖDER, (Çok Yazarlı) The Great Masters of The Albertina Michael
Imhof Verlag, Petersberg-2008
7- Raffaele De GRADA, Maitres Du Desin Dictionnaire , Celiv, Paris-1994

Planned Learning Activities and Teaching Methods

1-Verbal expression,
2- The careful study of examples through visual presentation,
3- Analyzing through visual works/practices,
4-The instructor's observation and guidance of works during the practices,
5- In the assesments, encourage the students to share their experiences, thoughts and problems arising from their own work verbally

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 COM COMMITTEE
2 FCG FINAL COURSE GRADE COM * 1


*** Resit Exam is Not Administered in Institutions Where Resit is not Applicable.

Further Notes About Assessment Methods

Developmental asssesment methods are based on supporting the student to comprehend/ understand and express this outlook of subject matters. The student is encouraged to attend classes as relevant as possible, as well as the consistent and active communication between the lecturer and the student is to be planned under the guidance of the lecturer. Initially main themes are explored in the course. Researchs are made in practical ways. In the assesments, students are to express their knowledge, ideas and arising problems related to their experiences of their own work.

Assessment Criteria

The student must 1- continually attend the classes ,
2- The work he/she undertakes in the context of the course; must be of high quality in terms of technique and artistry
3- Performance in the classes ,
4- The number of works.
5- Works are to be harmonious with the context.

Language of Instruction

Turkish

Course Policies and Rules

The student must 1- Attend at least %80 of the lecture,
2- To meet the requirements of bringing to the class the relevant materials to be used in the practices,
3- Comply with the pre-arranged callender during the lessons.

Contact Details for the Lecturer(s)

Assist. Prof. Sevgi AVCI
sevgi.avci@deu.edu.tr

Office Hours

On Wednesdays:13:30-17:00

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures (Theory) 14 2 28
Tutorials (Practice in Studio) 14 2 28
Before and after the lecture (reading texts, articles, etc.) 14 1 14
Preparations for presentation and assignment 1 14 14
Sketch book 14 1 14
Estimation (End of Term) 1 4 4
TOTAL WORKLOAD (hours) 102

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14
LO.15555513511
LO.251535315311
LO.3555153
LO.453553133131
LO.5555535