COURSE UNIT TITLE

Offered By

History

Level of Course Unit

Second Cycle Programmes (Master's Degree)

Course Coordinator

ASSISTANT PROFESSOR MURAT KILIÇ

Offered to

History

Course Objective

Emphasizing on individual characteristics in plastic arts began to be evident at the end of the late Classical period. The evolving stylistic styles provided the creation of a qualified art that allowed the reading of the artefact's physiognomy. Some of these artefacts, which have succeeded to reach today, allow the researcher to reach the style of clothing specific to the private or official life of historical figures, hairstyles and more. Therefore, they are the living proof of the social, cultural and political life of the time. In this context, in the course, the portraits of historical figures on plastic arts and coins will be examined comparatively from the late Classical period to the end of the Hellenistic period.

Learning Outcomes of the Course Unit

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Recomended or Required Reading

Barron, J. P. 1999. Pythagoras Euthymos: Some Thoughts on Early Classical Portraits , R. Mellor and L. Tritle (eds.), Text and Tradition: Studies in Greek History and Historiography in Honor of Mortimer Chambers, Claremont, CA: Regina Books, 37 59.
Boedeker, D., and Raaflaub, K. A. (eds.), 1998. Democracy, Empire and the Arts in Fifth-Century Athens, Cambridge, MA/London: Harvard University Press
Breckenridge, J. D., 1969. Likeness: A Conceptual History of Ancient Portraiture, Evanston, IL: Northwestern University.
Breckenridge, J. D., 1973. Origins of Roman Republican Portraiture: Relations with the Hellenistic World , H. Temporini (ed.), ANRW, 1, 4: 826-854.
Davis, N., 1980. The Hellenistic Kingdoms: Portrait Coins and History. London: Thames and Hudson.
Dillon, S., 2010. The Female Portrait Statue in the Greek World. New York: Cambridge University Press.
Kakavas, G., 2016. Hellenistic Royal Portraiture on Coins. New York: The Metropolitan Museum of Art.
Keesling, C. M., 2007. Early Hellenistic Portrait Statues on the Athenian Acropolis: Survival, Reuse, Transformation. New York: Cambridge University Press.
Keesling, C., 2017. Early Greek Portraiture: Monuments and Histories. Cambridge: Cambridge University Press.
Ma, J., 2013. Statues and Cities: Honorific Portraits and Civic Identity in the Hellenistic World, Oxford: Oxford University Press.
Richter, G. M. A., 1961/1962. The Greek Portraits of the Fifth Century B.C. , RendPontAcc, 34: 37 57.
Richter, G. M. A., 1965. The Portraits of the Greeks, London: Phaidon.
Ridgway, B. S., 1997. Fourth-Century Styles in Greek Sculpture, Madison: University of Wisconsin.
Schultz, P. and Hoff, R. von den, 2007. Early Hellenistic Portraiture: Image, Style, Context. Cambridge: Cambridge University Press.
Smith, R. R. R., 1988. Hellenistic Royal Portraits, Oxford: Clarendon Press.
Vermeule, C., 1978/1979. Ideal Portraiture at the Outset of the Hellenistic Age , The J. Paul Getty Museum Journal, 6/7: 97-102.

Planned Learning Activities and Teaching Methods

Lectures
Individual assignments
Seminars

Assessment Methods

Further Notes About Assessment Methods

None

Assessment Criteria

LO 1-3 with midterm exam,
LO 4 with individual assignments,
LO 1-6 with final exam will be assessed.

Language of Instruction

Turkish

Course Policies and Rules

Attendance at least 70 % to the lessons is compulsory.

Contact Details for the Lecturer(s)

murat.kilic@deu.edu.tr
phone: 3018735

Office Hours

by appointment

Work Placement(s)

None

Workload Calculation

Contribution of Learning Outcomes to Programme Outcomes