COURSE UNIT TITLE

: STAGE COSTUME PRODUCTION IV

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
STA 3030 STAGE COSTUME PRODUCTION IV COMPULSORY 1 3 0 4

Offered By

Stage Design

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

GÜLŞIN ORAL

Offered to

Stage Design

Course Objective

* It contains "Stage Costume" design and practices for Turkish Theater-Ottoman Empire plays.

* In the light of items affect Stage Costume Design and Practices, by examining a character from plays chosen from Turkish Theater; teaching the skills of Design and Practice of the clothing properties of a certain period with regard to play-character with design methods.
* Teaching the skill of re-design and re-use of various materials and surfaces "For Stage Costumes"
Researching Clothing history ongoing parallel to Theater History, developing the skill of reflecting them to stage costumes by protecting their properties.

Learning Outcomes of the Course Unit

1   Be able to solve problems at design and production stages, have a critical perspective, be able to produce solutions
2   Develop the skill of creating, producing and presenting costumes for performing arts with innovative applications that carry creative, authentic, esthetical values
3   Be able to present his/her practices to his/her audience by using theoretical knowledge he gained in the field of performing arts
4   Be able to carry out design/practice tasks by using different methods of his/her field
5   Be able to evaluate the theoretic information in the field of Performing Arts in light of information he/she gained during his/her practice and put this theoretical information into practice
6   Develop special skills in the field of Performing Arts
7   In order for a successful and relevant design to be made, teaching the skill of "Being able to convey and present scientific research process and its results with different visual presentation styles" with the stage costume the student will design according to researches on play, period's art properties, period's theater he/she will conduct and results of these researches
8   Possess social and scientific ethic values

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

STA 3029 - Tecniques of Clothing Construction for Theatre III

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Properties of Turkish apparel
2 Ottoman Palace Clothing
3 Palace fabrics
4 Stage Costume design and practice for Turkish Theater-Ottoman Empire examined the history of about clothes wear characteristics of period clothing, pieces of clothing, clothing accessories (cap, hat, shoes, etc.) drawing Choosing the play texts via discussion and determination of project names and statement of theoretical homework that will be done with regard to projects.
5 Turkish Theater-Ottoman Empire ; Observation of the Chosen Play Dramaturgy Analysis, properties of Art Period, properties of characters, relation of stage-costume and parallel stage direction, Clothing properties, period's clothing properties that the play points out or originates - fashion of the period In-class practice Theoretically supported with portfolio process
6 Design Process: 1.Preparing storyboard 2.Determining Design Theme and Practice (stylized, fantastic, etc.)
7 3.Drawing Authentic Model, creating form and material
8 4. texture design and applicatıon for costume
9 Making Technical Drawings of the Designed Costume
10 6. Making Technical Drawings of the Designed Costume 7. Making the material introduction drawing
11 Stage Costume Production Stages: 8.Obtaining Basic Pattern (by using simple pattern techniques)
12 9.Pattern design: Carrying out pattern design by applying pattern of the designed model to basic body pattern
13 10.Making designed costume three-dimensional, making it real - production of it. (with the help of basic hand sewing, producing clothes of wearable property by using fabric and other design textile surfaces)
14 Making designed costume three-dimensional, making it real - production of it. (with the help of basic hand sewing, producing clothes of wearable property by using fabric and other design textile surfaces) Making Supplementary Accessories

Recomended or Required Reading

Main Resources

APAK SEVÜKTEKIN, M. 1997 Osmanlı dönemi kadın Giyimleri Iş Bankası Yayınları, Ankara.
TÜRKOĞLU, Sebahattin. 2002 Tarih Boyunca Anadolu da Giyim Kuşam, Istanbul
MEB yayını, 1972. Bölgesel Türk Giysileri , MEB yayınevi, Istanbul
Gravürlerle Türkiye, Giysiler, Portreler, Kültür Bakanlığı Yayınları, 1997.Ankara.
Historical costumes of Turkish Women Ali Rıza Başkan Güzel Sanatlar Matbaası,
ŞENGEZER, Osman. 1999 Bence Dekor ve Kostüm, , Eser Sahibinin Kendi Yayınevi.
SEVIN; Nurettin. 1990. -Onüç Asırlık Türk Tarihine Bir Bakış , -Kültür Bakanlığı Yayınları, Ankara
KOÇU, Reşat Ekren. 1967. Türk Giyim Kuşam ve Süsleme Sözlüğü. ANK

Supplementary Resources
Products of literary works belong to theater art adapted to cinema, visuals belong to theater shows, and historical movies cover related periods, performance arts works, and documentaries.

Internet environment
e-museums

Instructor:
Lesson Material:
Practice Samples

Planned Learning Activities and Teaching Methods

Concepts will be conveyed with presentation technique; all concepts will be illustrated and supported by printed visual media and various products of visual arts (film, theater).

Drawing applications and basic sewing techniques will be conveyed by being practiced one-to-one; cognitive, affective and psychomotor behaviors will be brought in via technique of experiencing the application, and these will be illustrated by sections from the related artwork on printed media and visual arts.

Homeworks will be followed-up by structured discovery technique, principles, concepts and solutions to possible problems and related data will be taught by instructor of the lesson and will be organized by samples. Students will be aided by asking questions in order for them to analyze the data they have and find solutions.

During the design works carried out in an application process; with Unstructured Discovery method, it will be provided that, individuals will find concepts, principles, solution of a problem on his/her own in a natural environment

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 QUZ QUIZ
2 PRS PRESENTATION
3 CLA INCLASS ACTIVITIES
4 PRC PRACTICE
5 FCG FINAL COURSE GRADE QUZ * 0.10 +PRS * 0.10 + CLA * 0.10 + PRC * 0.70


*** Resit Exam is Not Administered in Institutions Where Resit is not Applicable.

Further Notes About Assessment Methods

1- In order to increase the success and motivation of the student and reduce the homework load; in-class applications, linear and sewing practices carried out during learning-teaching process at workshop-laboratory will ne evaluated by Grade points.
2- Homeworks will be evaluated by evaluation chart.
3- Product-Costume Evaluation: Report, Portfolio File, The Costume Practiced in Real Dimensions and complementary accessories will be evaluated as per "Technical - Esthetical Evaluation Chart" which contain technical and esthetical evaluation information.
4- Presentation: Costume, which is designed and practiced one-to-one, will be presented with "presentation techniques-practices" prepared within the framework of "performance arts", therefore "expression of designer's own work" will be evaluated.

Assessment Criteria


1- Drawing applications and sewing practices that will be carried out in workshop-laboratory will be evaluated with "technical evaluation chart" and "skill of being able to apply the technique" will be measured. These applications will take place in company with the instructor of the lesson
2- On the home works given
Originality, source-data searching, presentation-expression method will be evaluated with an evaluation chart that contain technical and esthetical criteria.
3- Presentation: Costume, which is designed and practiced one-to-one, will be presented with "presentation techniques-practices" prepared within the framework of "performance arts", therefore "expression of designer's own work" will be evaluated.
3- Product-Costume Evaluation:
1- Report
2- Portfolio File (artistic drawing, detailed drawing, technical drawing). Material form, accessory drawings, miniature pattern of the costume and the accessories, character-place drawing
3- Clothing, headwear, shoes, accessory etc. will be evaluated by "technical evaluation chart" that contain product evaluations in real scales.
4- Presentation Evaluation:
It is a study for measuring the skill of expressing, procuring acceptance-evaluation, presenting design and practices via panel, Powerpoint, exhibition, workshop, etc. design factors efficiently and with aesthetic communication methods. In this study, short film, voice, space, clothes, panel, Powerpoint, exhibition, workshop, etc. design factors will be used.
In this evaluation involving the presentation to students and academicians of performing arts, evaluations of academicians participating above 100 will be used as the presentation mark equivalent to 10% of final grade average. In the event of non participation, grade will be evaluated by the class academician.
(Presentation techniques, methods and tools used will be in line with personal creation-preferences of the student)

Language of Instruction

Turkish

Course Policies and Rules

Minimum 80% participation in each of class and in-class practices is mandatory.
Every practice is a whole and products not completed will not be assessed with the mark.
Starting with the requirement that practices should be learnt under the guidance of the academician, practicing and passing mark should be measured with competency and effort of the student;
Products and applications of the students created out of class not realizing the learning process by applying, not participating in applied teaching works will not be included in the mark evaluation

Contact Details for the Lecturer(s)

gulsin.oral@deu.edu.tr

Office Hours

Between 12.00-13.00 on Thursday

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 5 4 20
Tutorials 9 4 36
Preparations before/after weekly lectures 2 3 6
Preparing assignments 1 4 4
Preparing presentations 1 4 4
Other activities within the scope of the atelier pratices 9 3 27
Quiz etc. 1 3 3
TOTAL WORKLOAD (hours) 100

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14PO.15PO.16PO.17PO.18PO.19PO.20
LO.15
LO.25
LO.35
LO.45
LO.55
LO.6555
LO.7
LO.8