|
T: Theoretical P: Practice L: Laboratory
B: Spring Semester G: Fall Semester H: Full Year
|
1 .Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
ATA 1001 |
PRINCIPLES OF ATATURK AND HISTORY OF THE TURKISH REVOLUTION I |
REQUIRED |
2 |
0 |
0 |
2 |
G |
2 |
FMZ 1111 |
BASICS OF VISUAL DESIGN |
REQUIRED |
2 |
2 |
0 |
6 |
G |
3 |
FMZ 1121 |
INTRODUCTION TO FILM TECHNOLOGIES |
REQUIRED |
2 |
2 |
0 |
6 |
G |
4 |
FMZ 1131 |
BASICS OF SCRIPTWRITING |
REQUIRED |
2 |
2 |
0 |
5 |
G |
5 |
FMZ 1141 |
INTRODUCTION TO FILM HISTORY |
REQUIRED |
2 |
0 |
0 |
5 |
G |
6 |
KPD 1000 |
CAREER PLANNING |
REQUIRED |
1 |
0 |
0 |
2 |
G |
7 |
TDL 1001 |
TURKISH LANGUAGE I |
REQUIRED |
2 |
0 |
0 |
2 |
G |
8 |
YDA 1001 |
FOREIGN LANGUAGE I (GERMAN) |
REQUIRED |
2 |
0 |
0 |
2 |
G |
9 |
YDF 1001 |
FOREIGN LANGUAGE I (FRENCH) |
REQUIRED |
2 |
0 |
0 |
2 |
G |
10 |
YDÄ° 1001 |
FOREIGN LANGUAGE I (ENGLISH) |
REQUIRED |
2 |
0 |
0 |
2 |
G |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
-4 |
TOTAL: |
30 |
|
2. Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
B |
1 |
ATA 1002 |
PRINCIPLES OF ATATURK AND HISTORY OF THE TURKISH REVOLUTION II |
REQUIRED |
2 |
0 |
0 |
2 |
B |
2 |
FMZ 1152 |
BASICS OF EDITING AND SOUND |
REQUIRED |
2 |
2 |
0 |
6 |
B |
3 |
FMZ 1162 |
INTRODUCTION TO CAMERA AND LIGHTING |
REQUIRED |
2 |
2 |
0 |
6 |
B |
4 |
FMZ 1172 |
FILM PRODUCTION AND DIRECTING |
REQUIRED |
2 |
2 |
0 |
6 |
B |
5 |
FMZ 1182 |
INTRODUCTION TO TURKISH CINEMA |
REQUIRED |
2 |
0 |
0 |
6 |
B |
6 |
TDL 1002 |
TURKISH LANGUAGE II |
REQUIRED |
2 |
0 |
0 |
2 |
B |
7 |
YDA 1014 |
FOREIGN LANGUAGE II (GERMAN) |
REQUIRED |
2 |
0 |
0 |
2 |
B |
8 |
YDF 1014 |
FOREIGN LANGUAGE II (FRENCH) |
REQUIRED |
2 |
0 |
0 |
2 |
B |
9 |
YDÄ° 1014 |
FOREIGN LANGUAGE II (ENGLISH) |
REQUIRED |
2 |
0 |
0 |
2 |
B |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
-4 |
TOTAL: |
30 |
|
3 .Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
FMS 2211 |
INTRODUCTION TO SCRIPTWRITING TECHNIQUES |
REQUIRED |
2 |
2 |
0 |
6 |
G |
2 |
FMS 2221 |
INTRODUCTION TO SCRIPTWRITING PRACTICES |
REQUIRED |
2 |
2 |
0 |
6 |
G |
3 |
FMS 2231 |
CLASSIC NARRATIVE CINEMA AND CULTURAL EFFECTS |
REQUIRED |
1 |
1 |
0 |
5 |
G |
4 |
FMS 2241 |
YESILCAM CINEMA |
REQUIRED |
2 |
0 |
0 |
5 |
G |
5 |
FMZ 2111 |
FILM, CULTURE AND IDEOLOGY |
REQUIRED |
2 |
0 |
0 |
4 |
G |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
4 |
TOTAL: |
30 |
|
3 .Semester: Elective Course |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
FBS 2023 |
NEW MEDIA: PLATFORMS, CONTENTS, IDENTITIES |
ELECTIVE |
1 |
1 |
0 |
2 |
G |
2 |
FBS 2025 |
GAME, NARRATIVE AND CINEMATOGRAPHY |
ELECTIVE |
1 |
1 |
0 |
2 |
G |
3 |
Ä°HD 1001 |
HUMAN RIGHTS |
ELECTIVE |
2 |
0 |
0 |
4 |
|
4. Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
B |
1 |
FMS 2252 |
ADVANCED SCRIPTWRITING TECHNIQUES |
REQUIRED |
2 |
2 |
0 |
6 |
B |
2 |
FMS 2262 |
ADVANCED SCRIPTWRITING PRACTICES |
REQUIRED |
2 |
2 |
0 |
6 |
B |
3 |
FMS 2272 |
NARRATIVE CINEMA AND FILM STUDIES |
REQUIRED |
1 |
1 |
0 |
5 |
B |
4 |
FMS 2282 |
NEW TüRKIYE CINEMA |
REQUIRED |
2 |
0 |
0 |
5 |
B |
5 |
FMZ 2122 |
FILM THEORIES |
REQUIRED |
2 |
0 |
0 |
4 |
B |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
4 |
TOTAL: |
30 |
|
5 .Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
FMS 3211 |
FEATURE FILM SCRIPT PROJECT |
REQUIRED |
2 |
2 |
0 |
5 |
G |
2 |
FMS 3221 |
SCRIPTWRITING FOR SERIES |
REQUIRED |
2 |
2 |
0 |
5 |
G |
3 |
FMS 3231 |
INTRODUCTION TO FILM ANALYSIS |
REQUIRED |
1 |
1 |
0 |
5 |
G |
4 |
FMS 3241 |
MOVEMENTS IN MODERN CINEMA |
REQUIRED |
1 |
1 |
0 |
5 |
G |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
10 |
TOTAL: |
30 |
|
5 .Semester: Elective Course |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
FBS 3127 |
DIGITAL STORYTELLING |
ELECTIVE |
2 |
2 |
0 |
4 |
G |
2 |
FMS 3311 |
ADAPTATION PRACTICES |
ELECTIVE |
2 |
0 |
0 |
5 |
G |
3 |
FMS 3321 |
SCRIPTWRITING FOR DOCUMENTARIES |
ELECTIVE |
1 |
1 |
0 |
5 |
G |
4 |
FMY 3221 |
SHORT FILM DESIGN |
ELECTIVE |
2 |
2 |
0 |
5 |
G |
5 |
FMY 3231 |
VIRTUAL STUDIO DESIGN |
ELECTIVE |
1 |
1 |
0 |
5 |
G |
6 |
FMY 3311 |
FILM PROJECT AND PRE-PRODUCTION TECHNIQUES |
ELECTIVE |
1 |
1 |
0 |
5 |
G |
7 |
FMY 3321 |
PRODUCTION TECHNIQUES IN FILM |
ELECTIVE |
1 |
1 |
0 |
5 |
|
6. Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
B |
1 |
FMS 3252 |
SCRIPTWRITING FOR FEATURE FILM |
REQUIRED |
2 |
2 |
0 |
6 |
B |
2 |
FMS 3262 |
ADVANCED FILM ANALYSIS |
REQUIRED |
2 |
2 |
0 |
6 |
B |
3 |
FMZ 3104 |
PRACTICAL WORK |
REQUIRED |
2 |
2 |
0 |
6 |
B |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
12 |
TOTAL: |
30 |
|
6 .Semester: Elective Course |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
B |
1 |
FBS 3128 |
TRANSMEDIA PRACTICE |
ELECTIVE |
2 |
2 |
0 |
4 |
B |
2 |
FMY 3262 |
SHORT FILM PRACTICES |
ELECTIVE |
2 |
2 |
0 |
6 |
|
7 .Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
FMS 4211 |
SCRIPT PROJECT DESIGN |
REQUIRED |
4 |
4 |
0 |
15 |
G |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
15 |
TOTAL: |
30 |
|
7 .Semester: Elective Course |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
G |
1 |
FBS 4003 |
APPLIED ENTREPRENEURSHIP |
ELECTIVE |
1 |
2 |
0 |
4 |
G |
2 |
FMS 4311 |
INTRODUCTION TO SCRIPT ANALYSIS |
ELECTIVE |
2 |
0 |
0 |
5 |
G |
3 |
FMS 4321 |
CREATIVE WRITING |
ELECTIVE |
1 |
1 |
0 |
5 |
G |
4 |
FMS 4331 |
DIGITAL POPULAR CULTURE STUDIES |
ELECTIVE |
1 |
1 |
0 |
5 |
G |
5 |
FTS 4011 |
FILM RESTORATION TECHNIQUES |
ELECTIVE |
1 |
1 |
0 |
2 |
|
8. Semester: |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
B |
1 |
FMS 4222 |
GENRES AND SCRIPTWRITING PRACTICES |
REQUIRED |
2 |
2 |
0 |
6 |
B |
2 |
FMZ 4000 |
DIPLOMA PROJECT |
SENIOR PROJECT |
0 |
2 |
0 |
9 |
B |
0 |
- |
ELECTIVE COURSE |
ELECTIVE |
- |
- |
- |
15 |
TOTAL: |
30 |
|
8 .Semester: Elective Course |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
B |
1 |
FMS 4342 |
ADVANCED SCRIPTWRITING ANALYSIS |
ELECTIVE |
2 |
0 |
0 |
5 |
B |
2 |
FMS 4352 |
SCRIPTWRITING FOR DIGITAL PLATFORM SERIES |
ELECTIVE |
1 |
1 |
0 |
5 |
B |
3 |
FMS 4362 |
CONTEMPORARY CINEMA INTERPRETATIONS |
ELECTIVE |
1 |
1 |
0 |
5 |
B |
4 |
FMY 4362 |
TECHNIQUES OF REPRESENTATION IN FILM |
ELECTIVE |
2 |
0 |
0 |
5 |
|
|
FLEXIBLE ELECTIVE COURSE ACCORDING TO ECTS |
Semester
|
No
|
Course Unit Code
|
Course Unit Title
|
Course Unit Type
|
T
|
P
|
L
|
ECTS
|
H |
1 |
FTS 1110 |
PHOTOGRAPHY PROJECT |
ELECTIVE |
1 |
1 |
0 |
3 |
H |
2 |
FTS 1120 |
ART MANAGEMENT |
ELECTIVE |
1 |
1 |
0 |
3 |
H |
3 |
MBA 1002 |
MUSICAL LIFE IN OTTOMAN ERA |
ELECTIVE |
3 |
0 |
0 |
3 |
H |
4 |
MZK 1007 |
HISTORY OF POPULAR MUSIC: FROM THE BEGINNING TO THE 1960S |
ELECTIVE |
3 |
0 |
0 |
3 |
H |
5 |
MZK 1008 |
HISTORY OF POPULAR MUSIC: BETWEEN THE 1960'S TO THE PRESENT |
ELECTIVE |
3 |
0 |
0 |
3 |
H |
6 |
SEÇ 1027 |
WRITING TECHNIQUES I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
7 |
TEM 1006 |
ARTISTIC ANATOMY |
ELECTIVE |
2 |
2 |
|
4 |
H |
8 |
TEM 1007 |
TECHNICAL DRAWING AND PERSPECTIVE |
ELECTIVE |
2 |
2 |
|
4 |
H |
9 |
TEM 1015 |
ART HISTORY I |
ELECTIVE |
2 |
|
|
2 |
H |
10 |
TEM 1020 |
ART HISTORY II |
ELECTIVE |
2 |
|
|
2 |
H |
11 |
TEM 1021 |
BASIC PHOTOGRAPHY |
ELECTIVE |
1 |
1 |
|
2 |
H |
12 |
TEM 1022 |
DIGITAL PHOTOGRAPHY |
ELECTIVE |
1 |
1 |
|
2 |
H |
13 |
TEM 1210 |
SOCIAL COMMUNICATION AND MEDIA |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
14 |
TEM 1220 |
STUDIES IN POPULAR CULTURE |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
15 |
TEM 1301 |
DIGITAL VISUALISATION AND DRAWING TECHNIQUES |
ELECTIVE |
1 |
1 |
|
2 |
H |
16 |
TEM 1410 |
INTRODUCTION TO ART AND DESIGN |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
17 |
TEM 1420 |
METHODS OF VISUAL THINKING |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
18 |
TEM 2033 |
PSYCHOLOGY OF ART I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
19 |
TEM 2036 |
PSYCHOLOGY OF ART II |
ELECTIVE |
2 |
|
|
2 |
H |
20 |
TEM 4009 |
SCIENTIFIC RESEARCH AND PRESENTATION TECHNIQUES |
ELECTIVE |
2 |
|
|
2 |
H |
21 |
TEM 4029 |
ART AND CULTURAL PROPERTY LAW |
ELECTIVE |
2 |
|
|
2 |
H |
22 |
TTB 1011 |
HISTORY OF TEXTILE |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
1 |
CBS 2006 |
SET BUILDING FOR STOP MOTION |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
2 |
CFS 2001 |
DIGITAL PAINTING TECHNIQUES |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
3 |
ERA 2000 |
PRINTS AND VISUAL COMMUNICATION |
ERASMUS |
2 |
0 |
0 |
4 |
H |
4 |
ERA 2001 |
ART, TECHNOLOGY AND CULTURAL INNOVATION |
ERASMUS |
2 |
2 |
0 |
6 |
H |
5 |
ERA 2002 |
INTRODUCTION TO PRINTING DESIGN |
ERASMUS |
2 |
2 |
0 |
5 |
H |
6 |
ERA 2003 |
INNOVATIVE APPROACHES IN TEXTILE PRODUCT DESIGN |
ERASMUS |
2 |
2 |
0 |
6 |
H |
7 |
ERA 2004 |
NATURAL DYEING |
ERASMUS |
2 |
0 |
0 |
2 |
H |
8 |
ERA 2005 |
JEWELLERY DESIGN I |
ERASMUS |
2 |
2 |
0 |
6 |
H |
9 |
ERA 2006 |
JEWELLERY DESIGN II |
ERASMUS |
2 |
2 |
0 |
6 |
H |
10 |
FBS 2220 |
VISUAL CODES IN CINEMA |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
11 |
FCS 2010 |
VIRTUAL REALITY DESIGN PRACTICES |
ELECTIVE |
3 |
0 |
0 |
4 |
H |
12 |
FMK 2411 |
ESTETICS OF B FILM |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
13 |
FMK 2422 |
CINEMA AND VISUAL CODES |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
14 |
GÇD 1000 |
VOLUNTEERISM STUDIES |
ELECTIVE |
1 |
2 |
0 |
4 |
H |
15 |
GÇS 2003 |
REST.OF TILE AND CERAMIC OBJECTS I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
16 |
GÇS 2004 |
REST.OF TILE AND CERAMIC OBJECTS II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
17 |
GÇS 2006 |
TECHNIQUES OF DECORATION |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
18 |
GRF 2009 |
HISTORY OF GRAPHIC ART |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
19 |
GRF 2010 |
HISTORY OF MODERN GRAPHIC DESIGN |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
20 |
GRS 2000 |
PRINT AND COMMUNICATION |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
21 |
GSF 2000 |
SIGN LANGUAGE |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
22 |
GTS 2001 |
CONCEPTS AND TECHNIQUES OF CONS.-REST.I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
23 |
GTS 2002 |
CONCEPTS AND TECHNIQUES OF CONS.-REST.II |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
24 |
GTS 2005 |
EBRU APPLICATIONS I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
25 |
GTS 2006 |
EBRU APPLICATIONS II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
26 |
MBA 2005 |
THE TURKISH STATE'S MUSIC POLICIES DURING THE REPUBLICAN PERIOD |
ELECTIVE |
3 |
0 |
0 |
3 |
H |
27 |
RSS 2005 |
MURAL PAINTING I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
28 |
RSS 2006 |
MURAL PAINTING II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
29 |
RSS 2007 |
PRINTMAKING I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
30 |
RSS 2008 |
PRINTMAKING II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
31 |
RSS 2010 |
PHOTOGRAPHY AND PAINTING |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
32 |
STS 2101 |
BASIC STAGE LIGHTING TECHNIQUES |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
33 |
STS 2102 |
STAGE LIGHTING AND COMPOSITION |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
34 |
TAA 2306 |
HISTORY OF FASHION ACCESSORIES |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
35 |
TAA 3351 |
HISTORY OF JEWELLERY |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
36 |
TAA 3362 |
HISTORY OF FOOTWEAR |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
37 |
TEM 2017 |
MYTHOLOGY |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
38 |
TEM 2019 |
ART HISTORY III |
ELECTIVE |
2 |
|
|
2 |
H |
39 |
TEM 2020 |
ART HISTORY IV |
ELECTIVE |
2 |
|
|
2 |
H |
40 |
TEM 2024 |
Ä°CONOLOGY |
ELECTIVE |
2 |
|
|
2 |
H |
41 |
TEM 4003 |
ART SOCIOLOGY I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
42 |
TEM 4008 |
ART SOCIOLOGY II |
ELECTIVE |
2 |
|
|
2 |
H |
43 |
TES 2101 |
NATURAL PAPER MAKING I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
44 |
TES 2102 |
NATURAL PAPER MAKING II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
45 |
TES 2103 |
PAPER RESTORATION I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
46 |
TES 2104 |
PAPER RESTORATION II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
47 |
TTB 2009 |
HISTORY OF COSTUMES |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
1 |
CBS 3009 |
PUPPET MAKING FOR STOP MOTION |
ELECTIVE |
2 |
2 |
0 |
6 |
H |
2 |
CFS 3001 |
AR/VR DEVELOPMENT |
ELECTIVE |
2 |
2 |
0 |
6 |
H |
3 |
CFS 3002 |
360 VIDEO PRACTICES |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
4 |
FMK 3427 |
GOTHIC AESTHETIC |
ELECTIVE |
2 |
0 |
0 |
5 |
H |
5 |
FMK 3428 |
GOTHIC ANC CINEMA |
ELECTIVE |
2 |
0 |
0 |
5 |
H |
6 |
FMS 3331 |
INTRODUCTION TO BLOCKCHAIN AND NFT |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
7 |
FMY 3412 |
INTRODUCTION TO FILM ANALYSIS |
ELECTIVE |
2 |
0 |
0 |
4 |
H |
8 |
FTS 3000 |
DOCUMENTARY FILM PRODUCTION AND DIRECTING TECHNIQUES |
ELECTIVE |
1 |
2 |
0 |
2 |
H |
9 |
FTS 3101 |
CREATIVE PHOTOGRAPHY |
ELECTIVE |
2 |
0 |
0 |
3 |
H |
10 |
GÇS 3101 |
TILE PATTERN |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
11 |
GÇS 3102 |
TILE DESIGN |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
12 |
GRB 3029 |
MONOPRINT |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
13 |
GRB 3033 |
GRAPHIC NOVEL |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
14 |
GRB 3034 |
PRINTMAKING AND MULTIMEDIA |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
15 |
GRB 3037 |
SILKSCREEN WORKSHOP |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
16 |
GRB 3039 |
ADVANCED DRAWING |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
17 |
GRB 3041 |
CHARACTER DEVELOPMENT AND ANIMATION |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
18 |
GRB 3042 |
ANIMATION DESIGN |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
19 |
GRF 3005 |
HISTORY OF CONTEMPORARY GRAPHIC DESIGN |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
20 |
GRF 3006 |
HISTORY OF TURKISH GRAPHIC DESIGN |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
21 |
GTS 3003 |
TRADITIONAL TURKISH MOTIFES I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
22 |
GTS 3004 |
TRADITIONAL TURKISH MOTIFES II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
23 |
GTS 3005 |
CLASSIC DESIGN IN TURKISH ISLAMIC CALLIGRAPHY |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
24 |
GTS 3107 |
THE HISTORY AND STYLES OF TURKISH ILLUMINATION ART |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
25 |
GTS 3116 |
CONTEMPORARY DESIGN IN TURKISH Ä°SLAMIC CALLIGRAPHY |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
26 |
MTF 3001 |
HOME RECORDING |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
27 |
RSS 3003 |
MURAL PAINTING III |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
28 |
RSS 3004 |
MURAL PAINTING IV |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
29 |
RSS 3005 |
PRINTMAKING III |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
30 |
RSS 3006 |
PRINTMAKING IV |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
31 |
SRS 3015 |
GLASS ART HISTORY |
ELECTIVE |
1 |
0 |
0 |
2 |
H |
32 |
STS 3019 |
TECHNIQUES OF PUPPET MANUFACTURE I |
ELECTIVE |
1 |
3 |
0 |
4 |
H |
33 |
STS 3020 |
TECHNIQUES OF PUPPET MANUFACTURE II |
ELECTIVE |
1 |
3 |
0 |
4 |
H |
34 |
TAU 3343 |
COMPUTER AIDED PRODUCT DESIGN IN 3D I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
35 |
TAU 3344 |
COMPUTER AIDED PRODUCT DESIGN IN 3D II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
36 |
TEM 3021 |
PHILOSOPHY OF ART I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
37 |
TEM 3024 |
PHILOSOPHY OF ART II |
ELECTIVE |
2 |
|
|
2 |
H |
38 |
TEM 3025 |
PRODUCT PHOTOGRAPHY |
ELECTIVE |
2 |
2 |
0 |
6 |
H |
39 |
TEM 3027 |
ART CRITICISM I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
40 |
TEM 3030 |
ART CRITICISM II |
ELECTIVE |
2 |
|
|
2 |
H |
41 |
TEM 3100 |
TECHNIQUES OF INTERFERENCE TO MOTION PICTURE DESIGN |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
42 |
TEM 3110 |
COMPUTER APPLICATIONS FOR NEW MEDIA |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
43 |
TEM 3119 |
ART THEORIES (15TH -19TH C.) |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
44 |
TEM 3120 |
ART THEORIES (19TH - 20TH C.) |
ELECTIVE |
2 |
|
|
2 |
H |
45 |
TEM 4041 |
INTERPRETING CONTEMPORARY ART I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
46 |
TEM 4044 |
INTERPRETING CONTEMPORARY ART II |
ELECTIVE |
2 |
|
|
2 |
H |
47 |
TES 3132 |
SPECIAL FINISHING PROCESSES |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
48 |
TOS 3000 |
BASIC ACTING |
ELECTIVE |
2 |
2 |
0 |
6 |
H |
49 |
TTS 3021 |
FASHION AND FILM |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
1 |
FSS 4331 |
CREATIVE WRITING I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
2 |
FSS 4332 |
CREATIVE WRITING II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
3 |
FTZ 4007 |
PHOTOGRAPHY COMMENT AND CRITICISM I |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
4 |
FTZ 4008 |
PHOTOGRAPHY COMMENT AND CRITICISM II |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
5 |
GEÇ 4003 |
ART OF CERAMICS IN DIVERSE CULTURES.I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
6 |
GEÇ 4004 |
ART OF CERAMICS IN DIVERSE CULTURES.II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
7 |
GRB 4021 |
EDITORIAL ILLUSTRATION |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
8 |
GRB 4031 |
2D ANIMATION |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
9 |
GRB 4032 |
2D COMPUTER ANIMATION |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
10 |
GRS 4021 |
ENVIRONMENTAL GRAPHIC DESIGN |
ELECTIVE |
2 |
2 |
0 |
5 |
H |
11 |
GSF 4000 |
BUSINESS LAW |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
12 |
MTF 4001 |
DIMENSION OF MUSIC LISTENING IN ROOMS |
ELECTIVE |
3 |
0 |
0 |
3 |
H |
13 |
TES 4013 |
ARCHITECTURAL DECORATION DESIGN I |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
14 |
TES 4014 |
ARCHITECTURAL DECORATION DESIGN II |
ELECTIVE |
2 |
2 |
0 |
4 |
H |
15 |
TES 4129 |
NATURAL DYEING |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
16 |
TEZ 4007 |
HISTORY OF TRADITIONAL TURKISH ARTS II |
ELECTIVE |
2 |
0 |
0 |
2 |
H |
17 |
TEZ 4008 |
HISTORY OF TRADITIONAL TURKISH ARTS II |
ELECTIVE |
2 |
0 |
0 |
2 |
|