COURSE UNIT TITLE

: DRAWING III

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
HYK 3003 DRAWING III ELECTIVE 2 2 0 4

Offered By

Department of Sculpture

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

PROFESSOR SEVGI AVCI

Offered to

Graphic
Cinema and Television
Textile
Sculpture

Course Objective

The aim of this course is to strengthen the memory of the form by analyzing the form of the model through line/drawing and learning the basics of the art of drawing. It also encourages to improve the ability to transform the abstract forms in the mind, abstract concepts into drawing and to be able to make drafts of the sculpture projects.

Learning Outcomes of the Course Unit

1   To be able to drawing without making proportion errors,
2   To study the form in detail through long-session works/practices,
3   To be able to comprehend from with its basic features in short period of time,
4   To be able to use the techniques of drawing aligned with its purpose and nature,
5   To define and apply to practice the methods of drawing according to the purpose.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Etudes of the Organic-inorganic Object (pencil drawing, charcoal , red sangine, ink, coloured materials, pastel crayons, watercolour etc.) Visual presentation Studying examples of Classical genre
2 Etudes of the Organic-inorganic Object Literature review on the topic of Classical drawing
3 Etudes of the Organic-inorganic Object Homework of reproduction from artist works belonging to the Classical genre
4 Etudes of the Organic Object Assesments and follow-up of the works
5 Etudes of the Organic Object Assesments and follow-up of the works
6 Self Portrait Studies from live model Assesments and follow-up of the works
7 Self Portrait Studies from live model Assesments and follow-up of the works
8 Self Portrait Studies from live model Visual presentation Studying examples of Classical genre
9 Object-Space Relationship Studies Literature review on the topic of Baroque drawing
10 Object-Space Relationship Studies Homework of reproduction from artist works belonging to the Baroque genre
11 Object-Space Relationship Studies Assesments and follow-up of the works
12 The studies From Own Body Assesments and follow-up of the works
13 The studies From Own Body Assesments and follow-up of the works
14 The studies From Own Body Assesments and follow-up of the works

Recomended or Required Reading

Text Book(s)/Required Readings:
1- Michael JAFFE, The Great Heritage-Renaissance and Baroque Drawings from Chatsworth , National Gallery of Art, Board of Trustees, Washington -1995
Additional Sources: (Renaissance Baroque)
2- Hugo CHAPMAN, Michelangelo Drawings: Closer to the Master , The Trustees of the British
Museum, London-2005
3- Frank ZÖLLNER, Leonardo da VINCI 1452-1519 : The Complete Paintings and Drawing , Taschen,
London- 2003
4- Masterpies From The Hamburger Kunsthalle, Drawing in Rembrandt s Day , Museum Het
Rembrandthuis Rembrandt Information Centre, Amsterdam-2012
5- Editor: Klaus Albrecht SCHRÖDER, (Çok Yazarlı) The Great Masters of The Albertina Michael
Imhof Verlag, Petersberg-2008
6- Raffaele De GRADA, Maitres Du Desin Dictionnaire , Celiv, Paris-1994
7- Mervyn LEVY, Drawing and Sculpture , Adams and Dart, Somerset- 1970
8- Gottfried BAMMES, Studien zur Gestalt des Menschen , E.A SEEMANN,Leipzig-2001
9- Gottfried BOMMES, Der Nackte Mensch, Veb Verlag Der Kunst, Dresden
10-Nurdan KARASU GÖKÇE, Nazım MEHMET, Desende Işık ve Gölge Erciyes Üniversitesi
Yay. Kayseri 2007
11-Nurdan KARASU GÖKÇE, Nazım MEHMET, Desen Teknik ve Malzemeleri , Erciyes Üniversitesi
Yay. Kayseri 2007
Complementary Materials:
1- Organic- Inorganic Objects/Model, Skull, Moulages
2- Various publications accesible through internet (film, video, article, etc.)

Planned Learning Activities and Teaching Methods

1-Verbal expression
2- The careful study of examples through visual presentation,
3- Analyzing through visual works/practices, 4-The instructor's observation and guidance of works during the practices,
5- In the assesments, encourage the students to share their experiences, thoughts and problems arising from their own work verbally

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 COM COMMITTEE
2 FCG FINAL COURSE GRADE COM * 1


Further Notes About Assessment Methods

Developmental asssesment methods are based on supporting the student to comprehend/ understand and express this outlook of subject matters. The student is encouraged to attend classes as relevant as possible, as well as the consistent and active communication between the lecturer and the student is to be planned under the guidance of the lecturer. Initially main themes are explored in the course. Researchs are made in practical ways. In the assesments, students are to express their knowledge, ideas and arising problems related to their experiences of their own work.

Assessment Criteria

The student must 1- continually attend the classes,
2- The work he/she undertakes in the context of the course; must be of high quality in terms of technique and artistry ,
3- Performance in the classes,
4- The number of works,
. 5- Works are to be harmonious with the context.

Language of Instruction

Turkish

Course Policies and Rules

The student must
1- To meet the requirements of bringing to the class the relevant materials to be used in the practices,
2- Comply with the pre-arranged callender during the lessons.

Contact Details for the Lecturer(s)

Assist Prof. Sevgi AVCI
sevgi.avci@gmail.com

Office Hours

On lecture times

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures (Theory) 14 2 28
Tutorials (Practice in Studio.) 14 2 28
Before and after the lecture (reading texts, articles, etc.) 14 1 14
Preparations for presentation and assignment 1 14 14
Sketch book 14 1 14
Estimation (End of Term) 1 4 4
TOTAL WORKLOAD (hours) 102

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14PO.15PO.16PO.17
LO.111
LO.2111131
LO.3231335
LO.4313133
LO.512