COURSE UNIT TITLE

: NEW TURKEY CINEMA

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
ELECTIVE

Offered By

Film Design and Screenwriting

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSOCIATE PROFESSOR SABIRE SOYTOK

Offered to

Film Design and Screenwriting
Film Design and Screenwriting

Course Objective

The student taking this course;
Eurimages, in order to be able to comment on the New in New Turkey cinema on what the Ministry of Culture supports, the gains of the changing production supports for our cinema and the concept of independent filmmaker,
1. Discussing the impact of the changing production conditions of Turkish cinema, especially in the post-1990 period, on our cinema, getting to know the prominent cinema approaches and directors and analyzing them through important events and directors of our cinema,
2. To be able to analyze the films and cinema languages of the directors, to know and recognize the innovations that the emerging cinematic understandings have added to our cinema, and to strengthen their ability to comment on these innovations,
3. One of the auteur directors of Turkish cinema; To explain the cinematic approaches of Nuri Bilge Ceylan, Zeki Demirkubuz, Ümit Ünal, Yeşim Ustaoğlu,
4. The aim of this course is to know and recognize the innovations these directors brought to our cinema.

Learning Outcomes of the Course Unit

1   1 Getting to know the important historical processes of Turkish cinema and the prominent cinema concepts and directors in this period, and to be able to analyze the important events and directors of our cinema, to outline and criticize the cinematic approaches,
2   2 To be able to handle, recognize and classify Turkish cinema in its social and cultural contexts,
3   3 To be able to observe the change and transformation of the production relations of Yeşilçam cinema and its reflections on our cinema, to criticize, discuss and comment on social conditions and events through the films of our important filmmakers,
4   5 To be able to understand and interpret the reflections of the historical and social transformations in the 1990s on our cinema.
5   4 To understand the films and cinematic approaches of the directors, to know and recognize the innovations that the resulting cinematic understandings have added to our cinema, and to strengthen their ability to comment on these innovations,
6   6 In general terms, it is expected to be able to show the changes that Turkish cinema has undergone through subjects and themes, and to be able to compare, classify, interpret and synthesize changes through sample films.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 1 Information on the general method of the lesson; briefing on the literature about movies and books and explaining the subject and course content 11 Yeşim Ustaoğlu cinema
2 2 Explanation of our cinema through the important historical processes of Turkish cinema through the important directors of the period
3 3 The changing economic conditions of the 1990s determined our cinema and the transition to the period after Yeşilçam.
4 4 Y. The changing social, cultural and economic conditions in Turkish Cinema will be discussed through sample films.
5 5 What is Eurimages What have been the gains for our cinema
6 6 Ministry of Culture Cinema support and its effects on cinema
7 7 Festivals and their support funds
8 8 Nuri Bilge Ceylan cinema
9 9 Zeki Demirkubuz movies
10 10 Ümit Unal cinema

Recomended or Required Reading

Ana kaynak:
Türk ve Dünya Sineması Üzerine Sentezler Serpil Kırel
Kültürel Çalışmalar ve Sinema Serpil Kırel
2000 Sonrası Türk Sinemasına Eleştirel Bakış : Özgür Yılmazkol
Sinema Toplumbilimi Faruk Kalkan
Çağını Sorgulayan Sinema Ali Gevgilli
Türk Sinemasına Yeni Bir Bakış: Yönetmen Sineması Nigar Pösteki
Yakın Plan Yeni Türkiye Sineması /Zahit Atam
Türk Sineması Üzerine Yeni Söylemler: Çağdaş Temsiller, Çözümlemeler ve Türler
Taşraya Bakmak Tanıl Bora
Işık Gölge Oyunları Ümit Ünal / Gül Yaşartürk (Yay. Haz.)
Üç Maymun/ Nuri Bilge Ceylan
Yeşilçam dan Yeni Türk Sinemasına Melodramatik Imgelem/ Hasan Akbulut
Bir Kapıdan Gireceksin: Türkiye Sineması Üzerine Denemeler / Umut Tümay Arslan (Yay. Haz.)
Yeni Türkiye Sinemasında Sınıfsal Görünümler Janet Barış
Yeni Türk Sinemasında Biçem/ Serhat Koca

Yardımcı kaynaklar: Yeni Film Dergisi
Sine Cine Dergisi
Yeni Insan Yeni Sinema Dergisi
Sinemasal Ortak Kitap

Diğer ders materyalleri:
Filmler, Röportajlar,seminerler

Planned Learning Activities and Teaching Methods

Gaining/gaining the ability to distinguish and interpret the stages of change in Turkish Cinema, and to think and analyze comparatively.
Lectures, film analyses, discussions and seminars.

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 ATT ATTENDANCE
3 FIN FINAL EXAM
4 FCG FINAL COURSE GRADE MTE * 0.40 + ATT * 0.10 + FIN * 0.50
5 RST RESIT
6 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.40 + ATT * 0.10 + RST * 0.50


Further Notes About Assessment Methods

None

Assessment Criteria

We want to enable students to recognize the important periods of Turkish cinema, to distinguish their features, to compare and comment on films and to analyze the stages of change in Turkish cinema correctly.
It is expected that the student will be able to participate in the course, analyze the film, discuss it in a scientific framework, present seminars by choosing the topic of his choice from the topics in the course content, and be successful in the exams to be held.

Language of Instruction

Turkish

Course Policies and Rules

Class attendance is mandatory and is to affect your grade.

Contact Details for the Lecturer(s)

sabire.batur@deu.edu.tr

Office Hours

It will be announced.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 13 2 26
Preparations before/after weekly lectures 14 2 28
Participation in career activities 14 2 28
Preparing presentations 4 2 8
Midterm 1 2 2
Task-end progress evaluation (TEPE) 13 2 26
TOTAL WORKLOAD (hours) 118

Contribution of Learning Outcomes to Programme Outcomes

PO/LO
LO.1
LO.2
LO.3
LO.4
LO.5
LO.6