COURSE UNIT TITLE

: THE ACTOR AND ACTING IN HISTORY

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
SSA 5147 THE ACTOR AND ACTING IN HISTORY ELECTIVE 3 0 0 6

Offered By

Performing Arts

Level of Course Unit

Second Cycle Programmes (Master's Degree)

Course Coordinator

ASSISTANT PROFESSOR IBRAHIM GÜNGÖR

Offered to

Performing Arts

Course Objective

This course aims to explore the emergence of the acting profession and performers, as well as how they have taken shape and been perceived throughout historical periods.

Learning Outcomes of the Course Unit

1   Learning theories about the emergence of the acting profession
2   Understanding the evolving development of acting performance across different historical periods
3   Gaining knowledge about the perceptions of actors and acting during prehistoric times, Ancient Greece, Rome, the Middle Ages, the Renaissance, and the Enlightenment Period
4   Having a historical perspective to engage in discussions about the nature of actors and acting in contemporary times
5   Being able to engage in further discussions about the role of actors and acting in the history of theater

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 The general framework of the course content, the subject and scope of the course, and information about the rules.
2 What does prehistory mean How is prehistory approached How is information about a player collected from this period
3 Prehistoryan acting, actor and its functions
4 Actors and Acting in Ancient Greece
5 Actors and Acting in Ancient Greece
6 Actors and Acting in Rome
7 Actors and Acting in the Middle Ages
8 Midterm Exam
9 Actors and Acting in the Renaissance
10 Actors and Acting in the Enlightenment Era
11 The Changing Role of Actors and Acting in the Romantic Movement
12 Seminar
13 Seminar
14 Evaluation of Course Assignments and Overall Course Assessment

Recomended or Required Reading

And, M. (1962). Bizans Tiyatrosu. Ankara: Forum Yayınları.
Aristoteles. (1987). Poetika. (Çev. Ismail Tunalı) Istanbul: Remzi Kitabevi.
Benedetti, J. (2007). The Art of the Actor: The Essential History of Acting from Classical Times to the Present Day, New York: Routledge.
Csapo, E. (2010). Actors and Icons of the Ancient Theater. U.K: Blackwell Publishing.
Der. Wiles, D- Dymkowski, C. (2019). Tiyatro Tarihi. (Çev. Süha Sertabiboğlu), Istanbul: Ayrıntı Yayınları.
Diderot, D. (2000). Oyunculuk Üzerine Aykırı Düşünceler. (Çev: Sabri Esat Siyavuşgil) Ankara: Meb Yayınları.
Eliade, M. (1999). Şamanizm. (Çev. Ismet Birkan) Ankara: Imge Yayınevi.
Ed. Eco, U. Ortaçağ. (Çev. Leyla Tonguç Basmacı), Istanbul: Alfa Basım Yayım.
Ed. Betine Van Zyl Smit (2016). A Handbook to the Reception of Greek Drama, UK: Wiley Blackwell.
Gaster, T. H. (2000). Thespis. (Çev. Mehmet H. Doğan) Istanbul: Kabalcı Yayınevi.
Hauser, A. (1984). Sanatın Toplumsal Tarihi 2. (Çev. Yıldız Gölönü) Istanbul: Remzi Kitabevi.
Huizinga, J. (2013). Homo Ludens. (Çev. Mehmet Ali Kılıçbay) Istanbul: Ayrıntı Yayınları.
Inan, A. (1986). Tarihte ve Günümüzde Şamanlık. Ankara: Türk Tarih Kurumu Basımevi.
Nutku, Ö. (1995). Oyunculuk Tarihi 1. Istanbul: Yapı Kredi Yayınları.
Nutku, Ö. (2002). Oyunculuk Tarihi II. Ankara: Dost Kitabevi Yayınları.
Sennett, R. (2010). Kamusal Insanın Çöküşü. (Çev. Serpil Durak- Abdullah Yılmaz) Istanbul: Ayrıntı Yayınları.
Thomson, G. (1990). Aiskhylos ve Atina. (Çev. Mehmet H. Doğan) Istanbul: Payel Yayınevi.
Tuna, E. (2000). Şamanlık ve Oyunculuk. Istanbul: Okyanus Yayıncılık.
Vernant, J. P. (1996). Eski Yunanda Söylen ve Toplum. (Çev. Mehmet Emin Özcan) Istanbul: Imge Kitabevi Yayınları.

Planned Learning Activities and Teaching Methods

1- Expression,
2- Discussion,
3- Research,
4- Practice

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 ASG ASSIGNMENT
3 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.30 + ASG * 0.70


Further Notes About Assessment Methods

None

Assessment Criteria

None

Language of Instruction

Turkish

Course Policies and Rules

To be announced.

Contact Details for the Lecturer(s)

e-mail

Office Hours

12:00-13:00 weekdays

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 11 3 33
Group session 3 3 9
Student Presentations 2 3 6
Preparation about subject 5 3 15
Preparation about subject 5 3 15
Preparing presentations 4 3 12
Reading 5 3 15
Preparation for midterm exam 2 3 6
In-class practices 3 3 9
Independant Study 3 3 9
Midterm 1 3 3
Project Final Presentation 2 3 6
TOTAL WORKLOAD (hours) 138

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14
LO.13425
LO.2345
LO.3345555
LO.4455555
LO.5