COURSE UNIT TITLE

: CONTEMPORARY ART I

DEGREE PROGRAMMES

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
RSS 3029 CONTEMPORARY ART I ELECTIVE 2 0 0 2

Offered By

Painting

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSOCIATE PROFESSOR YUDUM AKKUŞ

Offered to

Painting

Course Objective

To interpret and criticize contemporary art forms formally and theoretically; To have an idea about the dynamics of current science.

Learning Outcomes of the Course Unit

1   Can interpret and criticize contemporary works of art.
2   Contemporary art and its basic elements; Knows the concepts of artist, buyer and work of art.
3   Gains the awareness of being able to bring up and criticize social problems based on art and design.
4   Criticizes the relationship between art and market and has an idea about current artistic debates.
5   It questions whether the material, structural/formal and conceptual elements are in an effective relationship with each other in contemporary works of art.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Providing general information about the content of the course to be held throughout the semester.
2 The reflection of the change in economic and political fields in the 1960s on the face of art; Post-1960 art movements, artistic tendencies, groups and artist practices.
3 The reflection of the change in economic and political fields in the 1960s on the face of art; Post-1960 art movements, artistic tendencies, groups and artist practices.
4 The reflection of the change in economic and political fields in the 1960s on the face of art; Post-1960 art movements, artistic tendencies, groups and artist practices.
5 Postmodern approaches to art production: exceeding the boundaries of museums, adaptation, likeness/simulation, hybridity, mixed material, confrontation with the disgusting, irony and parody
6 Postmodern approaches to art production: exceeding the boundaries of museums, adaptation, likeness/simulation, hybridity, mixed material, confrontation with the disgusting, irony and parody
7 Postmodern approaches to art production: exceeding the boundaries of museums, adaptation, likeness/simulation, hybridity, mixed material, confrontation with the disgusting, irony and parody
8 The rapprochement between contemporary art and capital and the set of components in art: Curator, museum, Contemporary art fairs, collectors
9 Branding in contemporary art and stars of the art market; Koons and Hirst
10 Branding in contemporary art and stars of the art market; Koons and Hirst
11 Contemporary art criticism; Student comments and discussions on selected works within the framework of the successful or unsuccessful criteria of contemporary art.
12 Contemporary art criticism; Student comments and discussions on selected works within the framework of the successful or unsuccessful criteria of contemporary art.
13 Contemporary art criticism; Student comments and discussions on selected works within the framework of the successful or unsuccessful criteria of contemporary art.
14 Contemporary art criticism; Student comments and discussions on selected works within the framework of the successful or unsuccessful criteria of contemporary art.

Recomended or Required Reading

Antmen, Ahu. Yüzyıl Batı Sanatında Akımlar. Sel Yayıncılık: Istanbul, 2008.
Artun, Ali. Sanatçı Müzeleri. Istanbul: Iletişim Yayınları, 2005.
Bourriaud, Nicolas. Postprodüksiyon. Bağlam Yayınları: Istanbul, 2018.
Danto, Arthur C. Sanatın Sonundan Sonra. Ayrıntı Yayınları: Istanbul, 2010.
Artun, Ali. Çağdaş Sanatın Örgütlenmesi, Istanbul: Iletişim Yayınevi, 2011.
Barrentt, Terry. Neden Bu sanat Çağdaş Sanatta Estetik Ve Eleştiri, Çev. E. Erment, Istanbul: Hayalperest Yayınevi, 2019.
Baudrillard, Jean. Şeytana satılan ruh ya da kötülüğün egemenliği, Çev. O. Adanır, Ankara: Doğu Batı Yayınları. 2004.
Baudrillard, Jean. Tüketim Toplumu, Çev. H.Deliçaylı & F.Keskin, Istanbul: Ayrıntı Yayınları. 2012. Baudrillard, Jean. Sanat Komplosu, Çev. E. Gen& I. Ergüden, Istanbul: Iletişim Yayınları. 2012.
Baudelaire, Charles. Modern Hayatın Ressamı, Çev. A. Berktay, Istanbul: Iletişim Yayınevi. 2003.
Benjamin, Walter. Pasajlar, Istanbul: Yapı Kredi Yayınları, 2009
Demir, Gonca Ilbeyi. Kiç ve Plastik Sanatlar Üzerine, Ankara: Ütopya Yayınları, 2009.
Fiske, John. Popüler Kültürü Anlamak, Istanbul: Parşömen, 2012.
Gans, Herbert J. Popüler Kültür ve Yüksek Kültür, Çev. Emine O. Incirlioğlu, Istanbul: YKY, 2005
Stallabrass, J. (2021). Çağdaş sanat bir tarihçe (Çev.: E. Soğancılar). Iletişim
Hopkins, D. (2018). Modern sanattan sonra (Çev.: F. C. Erdoğan). Hayalperest.
Kuspit, D. (2014). Sanatın sonu (Çev.: Y. Tezgiden). Metis.

Planned Learning Activities and Teaching Methods

Regarding curriculum topics and discussions the program will be based on audio-visual material.

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 FIN FINAL EXAM
3 FCG FINAL COURSE GRADE MTE * 0.40 + FIN * 0.60
4 RST RESIT
5 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.40 + RST * 0.60


Further Notes About Assessment Methods

None

Assessment Criteria

It will be announced.

Language of Instruction

Turkish

Course Policies and Rules

It will be announced.

Contact Details for the Lecturer(s)

gunduz.yudum@deu.edu.tr

Office Hours

To be announced.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 14 2 28
Preparations before/after weekly lectures 14 2 28
Preparation for final exam 1 2 2
Preparation for midterm exam 1 2 2
Preparing presentations 14 2 28
Midterm 1 2 2
Final 1 2 2
TOTAL WORKLOAD (hours) 92

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14
LO.143344
LO.243344
LO.343344
LO.443344
LO.543344

CONTACT INFORMATION
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Phone: +90(232) 412 12 12 - Fax: +90 (232) 464 81 35

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