COURSE UNIT TITLE

: ADVANCED ORCHESTRAL EXCERPTS FOR OBOE

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
MZÜ 3422 ADVANCED ORCHESTRAL EXCERPTS FOR OBOE ELECTIVE 1 1 0 2

Offered By

Oboe

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

LEVENT GÖKMEN NACAROĞLU

Offered to

Oboe

Course Objective

To equip oboe students with the necessary skills and competencies for a professional orchestral career

Learning Outcomes of the Course Unit

1   Gain the ability to analyze fundamental orchestral excerpts in terms of their structural and technical characteristics.
2   Perform orchestral excerpts from the Baroque, Classical, Romantic, and Modern periods in accordance with the stylistic practices of each era.
3   Apply individual technical practice methods specific to the performance of orchestral excerpts.
4   Demonstrate performance skills suitable for rehearsal and audition settings.
5   Understand the relationship between solo excerpts and other orchestral parts, and deliver a cohesive and stylistically appropriate performance within the ensemble.

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Introduction to the Class Level Assessment and Review of the 1st Term Repertoire
2 Advanced Articulation Techniques in Excerpt Performance Practical Application and Examples
3 J. Brahms Violin Concerto, 2nd Movement: Long Phrase Structure, Balanced and Musical Use of Vibrato
4 M. Ravel Le Tombeau de Couperin
5 F. Schubert Senfoni no:9
6 R. Strauss Don Juan
7 F. Mendelssohn Italyan Senfonisi
8 L.Beethoven Senfoni no:3 Eroica
9 Listening to Recordings and Comparative Analysis II Comparing Professional Performances
10 R. Strauss Salome
11 Individual Excerpt Selection II Developing Personal Repertoire and Creating a Practice Plan
12 Audition Simulation I Individual Performance, Instant Feedback
13 Simultaneous Excerpt Practice with Other Instruments in the Orchestra
14 Portfolio Presentation Performance, Analysis, and End-of-Term Evaluation

Recomended or Required Reading

Main Source: From the Renaissance to the present day written pieces for the instrument in every musical forms either solo or (with) accompaniment, appropriate class level.
Supporting resources: Written, visual and auditory sources about composers, musical forms and playing styles which studied in the period. Also this pieces records creating by diffrent performers.

Planned Learning Activities and Teaching Methods

One-on-One Applied Repertoire Studies, Listening and Analysis, Performance-Based Group Work, Short Individual Presentations and Interpretation Discussions, Applied Performance in Rehearsal Settings.

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 OPG OPINION GRADE
2 PAR PARTICIPATION
3 FCG FINAL COURSE GRADE roundKNT * 0.80+DK*0.20


Further Notes About Assessment Methods

Instructor's assessment of the student's work during the semester

Assessment Criteria

Played pieces with into consideration the characteristics of the period to which they belong.
Measurement knowledge, skill and competencies based on the application reaches
Instructor's assessment of the student's work during the semester

Language of Instruction

Turkish

Course Policies and Rules

Students should come to the lesson ready to play the works determined on the piano. There is a 70% attendance requirement for the course.

Contact Details for the Lecturer(s)

gokmen.nacaroglu@deu.edu.tr

Office Hours

To be announced.

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 14 1 14
Tutorials 14 1 14
Preparations before/after weekly lectures 14 1 14
TOTAL WORKLOAD (hours) 42

Contribution of Learning Outcomes to Programme Outcomes

PO/LOPO.1PO.2PO.3PO.4PO.5PO.6PO.7PO.8PO.9PO.10PO.11PO.12PO.13PO.14PO.15
LO.1232211221312311
LO.2452222222322312
LO.3324332332332312
LO.4343432335543312
LO.5232322244432312