COURSE UNIT TITLE

: THEORIES OF PHOTOGRAPHY I

Description of Individual Course Units

Course Unit Code Course Unit Title Type Of Course D U L ECTS
FTZ 2001 THEORIES OF PHOTOGRAPHY I COMPULSORY 2 0 0 2

Offered By

Department of Photography

Level of Course Unit

First Cycle Programmes (Bachelor's Degree)

Course Coordinator

ASSISTANT PROFESSOR PINAR BOZTEPE MUTLU

Offered to

Photography

Course Objective

The objective of the course is to define the meaning and importance of the Theory of Photography and its relation with History of Photography through an interdisciplinaire and intertextual vision.

Learning Outcomes of the Course Unit

1   Be able to define the Theory of Photography
2   Be able to determine the scope of the Theory of Photography
3   Get to know about the classical texts of the Theory of Photography
4   To analyze the connections between the Theory of Photography and the History of Photography
5   Evaluate the information he/she gathered with regards to the Theory of Photography in a critical way

Mode of Delivery

Face -to- Face

Prerequisites and Co-requisites

None

Recomended Optional Programme Components

None

Course Contents

Week Subject Description
1 Origins of Photography I
2 Origins of Photography II Introduction: Photography Theory: The relationship between philosophy, aesthetics, and photography
3 Establishing a connection between art practice and theory
4 What is the scope of the theory of photography
5 Essential texts of the theory of photography I From Plato to Barthes: The representation of reality
6 Essential texts of the theory of photography II Susan Sontag On Photography: The power and destruction of the image
7 Representation, reality, fiction, deconstruction
8 Jean Baudrillard, Roland Barthes, Susan Sontag, Vilém Flusser Flusser: Apparatus philosophy is the camera a thinking device
9 Walter Benjamin's life and works Walter Benjamin Art through the possibilities of technique
10 midterm exam
11 Benjamin s, Fotoğrafın Kısa Tarihçesi
12 General evaluation & visual analysis assignment presentations
13 Benjamin s Pasajlar I
14 Jean Baudrillard: Simulation and hyperreality

Recomended or Required Reading

- Walter Benjamin, Passages
- Walter Benjamin, A Brief History of Photography
- Vilém Flusser Towards a Philosophy of Photography
- Gisele Freund, Photography and Society
- Ariella Azoulay, Civil Imagination: A Political Ontology of Photography
- Susan Sontag on Photography
- John Berger, Understanding a Photograph

Supporting resources: Photo Albums
Other course materials: Related visual materials

Planned Learning Activities and Teaching Methods


To evaluate the sections of the relevant basic texts determined within the scope of the course, to evaluate and discuss the method, meaning and importance of these theories in the context of Art Photography and History of Photography through photographers poetics.

Assessment Methods

SORTING NUMBER SHORT CODE LONG CODE FORMULA
1 MTE MIDTERM EXAM
2 ASG ASSIGNMENT
3 FIN FINAL EXAM
4 FCG FINAL COURSE GRADE MTE * 0.30 +ASG * 0.10 + FIN * 0.60
5 RST RESIT
6 FCGR FINAL COURSE GRADE (RESIT) MTE * 0.30 +ASG * 0.10 + RST * 0.60


Further Notes About Assessment Methods

None

Assessment Criteria

Successfully passing the midterm and final exams and presenting the assignment-presentation method in class.

Language of Instruction

Turkish

Course Policies and Rules

A basic understanding of the history of photography is essential for this course. This requires careful bibliographical research and examination of leading artists and theorists.

Contact Details for the Lecturer(s)

pinar.boztepe@deu.edu.tr

Office Hours

Monday 8.30-10.00

Work Placement(s)

None

Workload Calculation

Activities Number Time (hours) Total Work Load (hours)
Lectures 13 2 26
Preparations before/after weekly lectures 14 2 28
Midterm 1 2 2
Final 1 2 2
TOTAL WORKLOAD (hours) 58

Contribution of Learning Outcomes to Programme Outcomes

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LO.21133323313
LO.31133323313
LO.41133323313
LO.51133323313